I want to express flowers blooming in the garden, children playing, and warm moments of daily life.

The main material used is glass, and the casting technique is used to create popsicle motifs. The “cool it” series, in which a white bear is made into a character, is based on the concept of a mass-consumption society that combines a disappearing synonym for environmental protection and “kawaii,” a Japanese pop culture word for cute, by taking the form of a melted popsicle. The artist attempts to address the contradictions and ironies that lurk in modern society. Yu Uchida HP http://yuuchida.com/

A landscape in which the colors of things change in various ways with the passage of time. I would like to express the air and light of that moment with my impression.   Takuma Kaneko HP http://www.takumakaneko.com/

The danger and fragility of blood vessels that can be seen through the thin veil of skin. On the other hand, the warmth and warmth that they produce. I continue to depict human activities, fetishism, relationships, and distance using the human body as a motif.

There are many thrilling experiences in the process of creation, such as a motif or a stain that is about to be erased creating an unexpected effect, or a phrase that jumps into your eyes or ears and leads you to the completion of the work. I value such “waste” and “noise”. The countless cracks and scratches that I intentionally create are one such example, and recently I have often attached foreign objects and ready-made items to my works. My theme for the future is to weave “trivial myths” through my works and exhibition spaces.

It depicts the breath of life, interwoven with small animals and plants living in the wind and the big nature. I hope it will spread your imagination as fresh and clean as the latter. Kazuyuki Sudo HP http://sutooo.net/

Using iwa-enogu (mineral pigments) and metallic mud and foil, the motifs of flora and fauna are expressed in the style of old ink paintings. Please look at the expression of Japanese painting today.

I would like to express what I feel in my modern life and the imaginary world that is born from it, while crossing them with the charm of the glass material. Glass shows various expressions depending on the production process. When melted at high temperatures, it becomes fluid like syrup, and the surface that was exposed to the air when it melted has a beautiful luster, while the surface that was in contact with the mold has a soft texture like frosted glass. Also, when copper is added, the color changes to red or blue. While drawing out the charm of the various kinds of glass, I aim to create works that will make the viewer’s imagination grow.

Nakagami Seisho (b. 1961) paints motifs of people and cats with a sense of life and rich gradation of light. What is the season captured on that screen? If it is a woman, I want to convey the beauty of the difference in age. If it is a cat, I want the viewer to feel the difference between a domestic cat and a stray cat in an instant. By capturing everything on the screen in color, the work appeals to the viewer’s imagination and expresses the color of light and even the scent of the wind, although in reality it only smells like an oil painting. Born left-handed, Seisho Nakagami was corrected to be right-handed in his childhood and painted with his right hand until his late twenties. However, when he encountered Klee’s words, “I will not paint with my right hand, which is stained with letters,” he tried painting with his left hand for the first time in his life, and found that it added nuance to his paintings and gave them more life. After that, I repea

No matter how happy or sad we are, no matter what the weather is like, the four seasons always come and go, and the greenery of the trees and plants remind us of the seasons with their gentle flowers. I am always grateful for the unchanging nature of the seasons, which gives me strength and kindness.

I mainly create works using cats and people as motifs. I hope I could touch someone’s heartstrings by sublimating what I am attracted to and what I find fragile and beautiful into my works through my own filter.   Masaaki Hikita HP http://www.masaakihikida.com/

Makoto Fujii (b. 1984) creates works on the theme of “Japanese realism”, which is neither Japanese nor Western painting, and is at once new and nostalgic. Just as Impressionist painters were once inspired by Japanese ukiyoe and pioneered new expressions, Fujii is once again seeking a fusion of Japan and the West in the modern age. He chooses “water” as a motif to depict the shimmering formless things with oil paint, and continues to paint them because he is attracted by the fascination and figurative beauty of the way they change every time he paints them. It has become an important existence for the artist who aims to express the feeling of formless things that sway in the wind and change color depending on the light. I want to create works of art that will be treasured by people in the future, when they find them hundreds of years after my death, in a completely different language and culture. I want to express the universal strength that lies