The danger and fragility of blood vessels that can be seen through the thin veil of skin. On the other hand, the warmth and warmth that they produce. I continue to depict human activities, fetishism, relationships, and distance using the human body as a motif.

There are many thrilling experiences in the process of creation, such as a motif or a stain that is about to be erased creating an unexpected effect, or a phrase that jumps into your eyes or ears and leads you to the completion of the work. I value such “waste” and “noise”. The countless cracks and scratches that I intentionally create are one such example, and recently I have often attached foreign objects and ready-made items to my works. My theme for the future is to weave “trivial myths” through my works and exhibition spaces.

Seeking the ultimate beauty, I will strive to draw pictures that everyone will be overwhelmed to see so that I can draw beautiful and bewitching women. I hope to express the unfathomable charm of women through my paintings.

A landscape in which the colors of things change in various ways with the passage of time. I would like to express the air and light of that moment with my impression.   Takuma Kaneko HP http://www.takumakaneko.com/

I mainly paint still life with fruits and flowers. What I put in a picture is the beauty of color with power that shines vividly with harmony and balance. Each motif has a solid presence. I aim to create an atmospheric world of color by depicting the light that seems to pour into the picture plane and the soft light that cloaks it like a veil. I want to draw pictures that draw you in and make you want to keep looking at them. Izumi Kawamoto blog http://decorativeartist.cocolog-nifty.com/blog/

He paints landscapes that depict a quiet sense of rhythm in a classical style, and prestigious still life paintings that depict his unique world view. Sota Koike HP https://www.koikesota.com/

I make it based on “curiosity”. It may be an act of trying to unravel the “why?” There, such as animals, women, flowers, shapes, colors, life, memories, time, and invisible things.

I always have the same theme at the bottom of my heart. It is to express what people cannot see and cannot express, such as space, air, time, and distance. I always try to depict the colorless transparency that exists between the eye and the object, rather than using objects as a medium for unrealistic expression.

Bridley, a tin bird, was born as a symbol of time while drawing many old toys. He can’t fly no matter how much he winds the spring, but he is good at jumping. Until the spring gets rusty and stops working. Kenji Shimizu HP http://www.kenji-shimizu.com/indexpage.html

Makoto Fujii (b. 1984) creates works on the theme of “Japanese realism”, which is neither Japanese nor Western painting, and is at once new and nostalgic. Just as Impressionist painters were once inspired by Japanese ukiyoe and pioneered new expressions, Fujii is once again seeking a fusion of Japan and the West in the modern age. He chooses “water” as a motif to depict the shimmering formless things with oil paint, and continues to paint them because he is attracted by the fascination and figurative beauty of the way they change every time he paints them. It has become an important existence for the artist who aims to express the feeling of formless things that sway in the wind and change color depending on the light. I want to create works of art that will be treasured by people in the future, when they find them hundreds of years after my death, in a completely different language and culture. I want to express the universal strength that lies