The danger and fragility of blood vessels that can be seen through the thin veil of skin. On the other hand, the warmth and warmth that they produce. I continue to depict human activities, fetishism, relationships, and distance using the human body as a motif.

There are many thrilling experiences in the process of creation, such as a motif or a stain that is about to be erased creating an unexpected effect, or a phrase that jumps into your eyes or ears and leads you to the completion of the work. I value such “waste” and “noise”. The countless cracks and scratches that I intentionally create are one such example, and recently I have often attached foreign objects and ready-made items to my works. My theme for the future is to weave “trivial myths” through my works and exhibition spaces.

Bridley, a tin bird, was born as a symbol of time while drawing many old toys. He can’t fly no matter how much he winds the spring, but he is good at jumping. Until the spring gets rusty and stops working. Kenji Shimizu HP http://www.kenji-shimizu.com/indexpage.html

No matter how happy or sad we are, no matter what the weather is like, the four seasons always come and go, and the greenery of the trees and plants remind us of the seasons with their gentle flowers. I am always grateful for the unchanging nature of the seasons, which gives me strength and kindness.

I use metal forging and engraving techniques. I cut out animals and ordinary scenes from everyday life and make them into works of art. I hope you can feel the fascination of metal materials.

I mainly create works using cats and people as motifs. I hope I could touch someone’s heartstrings by sublimating what I am attracted to and what I find fragile and beautiful into my works through my own filter.   Masaaki Hikita HP http://www.masaakihikida.com/