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Exhibition
芸術のチカラ-POWER&HEARING
芸術のチカラ-POWER&HEARING
2021/03/18 -2021/03/23
Event Outline
Location
東武百貨店池袋店 4階第2催事場
Artist
Ayaka Umeda Kaoru Kan Haruna Sato Kenji Shimizu Chido Shimizu 高木かおり Misa Toyosawa Yuko Nakamura Kenta Nakajima Takeshi Harada Masaaki Hikida Asako Morishita Satoshi Yabuuchi 岡崎実央 加藤丈博
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関連アーティスト
Ayaka Umeda
Ayaka Umeda
Ayaka Umeda pursues new pictorial expression using the traditional dyeing technique of wax dyeing. Wax dyeing is a pattern-dyeing technique in which heated wax is dipped into a brush and allowed to permeate the cloth, thus preventing the dye from entering the permeated area. The reason why Umeda expresses herself through dyeing is because she feels the possibility of expressing a world beyond her imagination. The dye particles that move on the water cannot be completely controlled. Unlike painting, dyeing is said to be something you “become” rather than something you “do,” and it sometimes creates a world that no one could have imagined. Umeda expresses various themes with wax dyeing based on the nature around her which she has been familiar with since her childhood, out of her urge to see the new world created by dyeing. Ayaka Umeda HP https://ayakaumeda-art.com//
Kaoru Kan
Kaoru Kan
I continue to paint water as a motif. This is because I am fascinated by the mystery and power of life-giving water. In my paintings, both the rich curves and the legal straight lines created by nature are equally encompassed in one organic world. Flowers, goldfish, and seaweed are also depicted as happy symbols around water, and I want to infuse my work with the aesthetic and fundamental sense of color that they reflect in the water. Kaoru Kan HP https://www.kaorukan.com/
Haruna Sato
Haruna Sato
The danger and fragility of blood vessels that can be seen through the thin veil of skin. On the other hand, the warmth and warmth that they produce. I continue to depict human activities, fetishism, relationships, and distance using the human body as a motif.
Kenji Shimizu
Kenji Shimizu
Bridley, a tin bird, was born as a symbol of time while drawing many old toys. He can’t fly no matter how much he winds the spring, but he is good at jumping. Until the spring gets rusty and stops working. Kenji Shimizu HP http://www.kenji-shimizu.com/indexpage.html
Chido Shimizu
Chido Shimizu
Drawing is the best way for me to express myself. I see the climate of my native country, Japan, where I was born and raised, with my own eyes and draw it as a travelogue. Currently, I have a main theme like “Travels in Japan”, and I am working on the title “Going to Tohoku” as the beginning of the theme. Tomomichi Shimizu HP https://www.studio-asa.net/
高木かおり
高木かおり
Misa Toyosawa
Misa Toyosawa
I would like to express what I feel in my modern life and the imaginary world that is born from it, while crossing them with the charm of the glass material. Glass shows various expressions depending on the production process. When melted at high temperatures, it becomes fluid like syrup, and the surface that was exposed to the air when it melted has a beautiful luster, while the surface that was in contact with the mold has a soft texture like frosted glass. Also, when copper is added, the color changes to red or blue. While drawing out the charm of the various kinds of glass, I aim to create works that will make the viewer’s imagination grow.
Yuko Nakamura
Yuko Nakamura
No matter how happy or sad we are, no matter what the weather is like, the four seasons always come and go, and the greenery of the trees and plants remind us of the seasons with their gentle flowers. I am always grateful for the unchanging nature of the seasons, which gives me strength and kindness.
Kenta Nakajima
Kenta Nakajima
The relationship between a painter and a model is similar to that between a cook and an ingredient. No matter how good a cook you are, if the ingredients are not delicious, you have nothing to show for it. Many women have helped me to become the person I am today. That’s why I want to be able to depict not only the superficial beauty but also the inner strength and kindness of women. I hope that the women depicted in my works will remain with me for a long time to come, and I believe that this will be my way of repaying the women who supported me. (From WORKSOFKENTANAKAJIMA)
Takeshi Harada
Takeshi Harada
I use metal forging and engraving techniques. I cut out animals and ordinary scenes from everyday life and make them into works of art. I hope you can feel the fascination of metal materials.
Masaaki Hikida
Masaaki Hikida
I mainly create works using cats and people as motifs. I hope I could touch someone’s heartstrings by sublimating what I am attracted to and what I find fragile and beautiful into my works through my own filter. Masaaki Hikita HP http://www.masaakihikida.com/
Asako Morishita
Asako Morishita
I mainly create animal and plant paintings. I find animals adorable, and at the same time, I am fascinated by their high mobility and vitality. I hope to express their loveliness and the dignified beauty of life from my own point of view.
Satoshi Yabuuchi
Satoshi Yabuuchi
新家未来 日本画展 -ふれる輪郭-
田口由花 個展 -宵・明-