I want to express flowers blooming in the garden, children playing, and warm moments of daily life.

It is said that the movement of the moon is linked to the ebb and flow of the tides, affecting everything from the birth of new life to the internal cycles of animals. I chose the moon as a symbol of the source of life. Everyone has a memory of a night when they looked up at the moon. I hope to express the nostalgia that we all have. Tomoharu Okamura HP TOP  

Hiroki Kishimoto (b. 1982) has developed his own unique world of Japanese-style painting, which is not too much bound by the framework of Japanese-style painting, but also adds the realism of Western-style painting. Since his grandfather was a Japanese painter in the Seiryusha (a Showa-era Japanese painting organization formed in 1929 by Ryuko Kawabata, a Japanese painter), painting with Japanese painting materials from his childhood was a fun and playful time for him, and he naturally became attracted to the world of painting. While using Japanese painting materials, I was also attracted to the centripetal realism of Antonio Lopez Garcia, a favorite of mine when I was a student, and I have somehow come to aim for a new frontier of Japanese painting, which is a fusion of the anti-realism of Kaii Higashiyama and his anthemic imagery. I am often attracted to relief-like structures and alleyways in foreign countries (mainly in Europe), and I depict not only the sce

I create works focusing on familiar animals and plants such as sparrows. I am attracted to their robust and lovely appearance in the changing seasons. I would like to create paintings that give us a sense of peace and tranquility so that we can stop and take a breath in the midst of our fast-paced modern lives.

It depicts the breath of life, interwoven with small animals and plants living in the wind and the big nature. I hope it will spread your imagination as fresh and clean as the latter. Kazuyuki Sudo HP http://sutooo.net/

Using iwa-enogu (mineral pigments) and metallic mud and foil, the motifs of flora and fauna are expressed in the style of old ink paintings. Please look at the expression of Japanese painting today.

Nakagami Seisho (b. 1961) paints motifs of people and cats with a sense of life and rich gradation of light. What is the season captured on that screen? If it is a woman, I want to convey the beauty of the difference in age. If it is a cat, I want the viewer to feel the difference between a domestic cat and a stray cat in an instant. By capturing everything on the screen in color, the work appeals to the viewer’s imagination and expresses the color of light and even the scent of the wind, although in reality it only smells like an oil painting. Born left-handed, Seisho Nakagami was corrected to be right-handed in his childhood and painted with his right hand until his late twenties. However, when he encountered Klee’s words, “I will not paint with my right hand, which is stained with letters,” he tried painting with his left hand for the first time in his life, and found that it added nuance to his paintings and gave them more life. After that, I repea

No matter how happy or sad we are, no matter what the weather is like, the four seasons always come and go, and the greenery of the trees and plants remind us of the seasons with their gentle flowers. I am always grateful for the unchanging nature of the seasons, which gives me strength and kindness.

When I turn the calendar around, there is always a new landscape there. I am glad to go through several seasons, as if something I had forgotten comes back to my heart. There is light, shadow, and color in the wind that brushes my cheek. And I want to capture something like a fragrance in the landscape. I want to draw the heart of nature.   Mikiko Noji HP http://nojimikiko.jp/

I mainly create works using cats and people as motifs. I hope I could touch someone’s heartstrings by sublimating what I am attracted to and what I find fragile and beautiful into my works through my own filter.   Masaaki Hikita HP http://www.masaakihikida.com/

Makoto Fujii (b. 1984) creates works on the theme of “Japanese realism”, which is neither Japanese nor Western painting, and is at once new and nostalgic. Just as Impressionist painters were once inspired by Japanese ukiyoe and pioneered new expressions, Fujii is once again seeking a fusion of Japan and the West in the modern age. He chooses “water” as a motif to depict the shimmering formless things with oil paint, and continues to paint them because he is attracted by the fascination and figurative beauty of the way they change every time he paints them. It has become an important existence for the artist who aims to express the feeling of formless things that sway in the wind and change color depending on the light. I want to create works of art that will be treasured by people in the future, when they find them hundreds of years after my death, in a completely different language and culture. I want to express the universal strength that lies