I want to express flowers blooming in the garden, children playing, and warm moments of daily life.

It is said that the movement of the moon is linked to the ebb and flow of the tides, affecting everything from the birth of new life to the internal cycles of animals. I chose the moon as a symbol of the source of life. Everyone has a memory of a night when they looked up at the moon. I hope to express the nostalgia that we all have. Tomoharu Okamura HP TOP  

The danger and fragility of blood vessels that can be seen through the thin veil of skin. On the other hand, the warmth and warmth that they produce. I continue to depict human activities, fetishism, relationships, and distance using the human body as a motif.

It depicts the breath of life, interwoven with small animals and plants living in the wind and the big nature. I hope it will spread your imagination as fresh and clean as the latter. Kazuyuki Sudo HP http://sutooo.net/

Using iwa-enogu (mineral pigments) and metallic mud and foil, the motifs of flora and fauna are expressed in the style of old ink paintings. Please look at the expression of Japanese painting today.

Nakagami Seisho (b. 1961) paints motifs of people and cats with a sense of life and rich gradation of light. What is the season captured on that screen? If it is a woman, I want to convey the beauty of the difference in age. If it is a cat, I want the viewer to feel the difference between a domestic cat and a stray cat in an instant. By capturing everything on the screen in color, the work appeals to the viewer’s imagination and expresses the color of light and even the scent of the wind, although in reality it only smells like an oil painting. Born left-handed, Seisho Nakagami was corrected to be right-handed in his childhood and painted with his right hand until his late twenties. However, when he encountered Klee’s words, “I will not paint with my right hand, which is stained with letters,” he tried painting with his left hand for the first time in his life, and found that it added nuance to his paintings and gave them more life. After that, I repea

When I turn the calendar around, there is always a new landscape there. I am glad to go through several seasons, as if something I had forgotten comes back to my heart. There is light, shadow, and color in the wind that brushes my cheek. And I want to capture something like a fragrance in the landscape. I want to draw the heart of nature.   Mikiko Noji HP http://nojimikiko.jp/

I mainly create works using cats and people as motifs. I hope I could touch someone’s heartstrings by sublimating what I am attracted to and what I find fragile and beautiful into my works through my own filter.   Masaaki Hikita HP http://www.masaakihikida.com/

Makoto Fujii (b. 1984) creates works on the theme of “Japanese realism”, which is neither Japanese nor Western painting, and is at once new and nostalgic. Just as Impressionist painters were once inspired by Japanese ukiyoe and pioneered new expressions, Fujii is once again seeking a fusion of Japan and the West in the modern age. He chooses “water” as a motif to depict the shimmering formless things with oil paint, and continues to paint them because he is attracted by the fascination and figurative beauty of the way they change every time he paints them. It has become an important existence for the artist who aims to express the feeling of formless things that sway in the wind and change color depending on the light. I want to create works of art that will be treasured by people in the future, when they find them hundreds of years after my death, in a completely different language and culture. I want to express the universal strength that lies

The theme that I express by copperplate engraving is “Small happiness”. I draw “the story of small life” by overlapping it with small animals, plants and flowers. I am healed and encouraged by the gestures and expressions of animals. They gently remind me that there are important things in the activities we repeat so naturally that we don’t even notice.