I want to express flowers blooming in the garden, children playing, and warm moments of daily life.

Everyone has darkness and light. I draw darkness in order to draw light. I want to give form to myself or my desire through the scenery and animals I encounter in my daily life.

When I paint the female nude, the combination of sensuous curves and complex colors somehow makes the nude look abstract. To put it another way, the ability to use any color for skin tones without feeling uncomfortable is a pleasure for me. I also enjoy the time I spend looking at the model while I paint, but when I am finishing up, I also find it an indispensable pleasure to “break” the shape of the model and let my imagination take over.

Seeking the ultimate beauty, I will strive to draw pictures that everyone will be overwhelmed to see so that I can draw beautiful and bewitching women. I hope to express the unfathomable charm of women through my paintings.

Hiroki Kishimoto (b. 1982) has developed his own unique world of Japanese-style painting, which is not too much bound by the framework of Japanese-style painting, but also adds the realism of Western-style painting. Since his grandfather was a Japanese painter in the Seiryusha (a Showa-era Japanese painting organization formed in 1929 by Ryuko Kawabata, a Japanese painter), painting with Japanese painting materials from his childhood was a fun and playful time for him, and he naturally became attracted to the world of painting. While using Japanese painting materials, I was also attracted to the centripetal realism of Antonio Lopez Garcia, a favorite of mine when I was a student, and I have somehow come to aim for a new frontier of Japanese painting, which is a fusion of the anti-realism of Kaii Higashiyama and his anthemic imagery. I am often attracted to relief-like structures and alleyways in foreign countries (mainly in Europe), and I depict not only the sce

I make it based on “curiosity”. It may be an act of trying to unravel the “why?” There, such as animals, women, flowers, shapes, colors, life, memories, time, and invisible things.

I always have the same theme at the bottom of my heart. It is to express what people cannot see and cannot express, such as space, air, time, and distance. I always try to depict the colorless transparency that exists between the eye and the object, rather than using objects as a medium for unrealistic expression.

Using iwa-enogu (mineral pigments) and metallic mud and foil, the motifs of flora and fauna are expressed in the style of old ink paintings. Please look at the expression of Japanese painting today.

My aim is to create paintings that incorporate a contemporary perspective by layering images of natural phenomena such as the sky and water over themes that have been depicted since ancient times, such as the moon, flowers, and living creatures. I would like to create works that give a sense of abstraction within the figurative, and through sensory interpretation, give a sense of Japanese aesthetics. Junya Tsubota HP http://www.junyarts.net/

Using women and cats as motifs, I create my works with an emphasis on the inner world and presence that can be sensed through the casual expressions and gestures of everyday life.

Until today, the female figure has been depicted as a symbol of fruitfulness, beauty, faith, charity, truth, vanity, consumption…and so on. Among them, I aim to express the female image as a symbol of fruitfulness and birth. The symbol of birth is the beginning of everything, and is also a symbol of the cycle of birth, return, and birth again. In the image of a woman as such a symbol, I put the meaning of respect for life, in other words, respect for nature, strong longing, and the desire for self-projection.   Miku Niinomi  HP http://mikuniinomi.mystrikingly.com/

When I turn the calendar around, there is always a new landscape there. I am glad to go through several seasons, as if something I had forgotten comes back to my heart. There is light, shadow, and color in the wind that brushes my cheek. And I want to capture something like a fragrance in the landscape. I want to draw the heart of nature.   Mikiko Noji HP http://nojimikiko.jp/

The theme that I express by copperplate engraving is “Small happiness”. I draw “the story of small life” by overlapping it with small animals, plants and flowers. I am healed and encouraged by the gestures and expressions of animals. They gently remind me that there are important things in the activities we repeat so naturally that we don’t even notice.

A momentary time that does not stay in this world but flickers transiently. A landscape that contains the presence of people and universal light, and that transfers and permeates. There are times when I question what it means to live in such moments. I create my works in the hope that you can feel the precious time in each of the landscapes I express. Yumi Yamazaki HP http://www.yamazakiyumi.com/profile/